1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.   Related Paintings of Caspar David Friedrich :. | coucher de soleil sur la mer | Seashore with Shipwreck by Moonlight | Woman Before the Setting Sun (mk10) | Shipwreck or Sea of Ice | The walker above the mists |
Related Artists:
Giuseppe Passeri
Giuseppe Passeri Giuseppe Passeri (12 March 1654 - 2 November 1714) was an Italian painter of the Baroque period, active in his native city of Rome. Born the nephew of the painter Giovanni Battista Passeri, Giuseppe trained in the studio of Carlo Maratta. Among the paintings by Giuseppe is St. Peter baptizes the Centurion, transferred to mosaic; the original was moved to a church of the Conventuali in Urbino.
Domenico Feti
1589-1625 Italian Domenico Feti Locations Italian painter. Court painter to the Gonzaga family in Mantua, Feti was influenced by the chiaroscuro technique of Caravaggio. His later works, such as Melancholia (Louvre), belong, in their use of color, to the Venetian tradition.
CARRACCI, Antonio
Italian Baroque Era Painter, ca.1583-1618 Painter, son of Agostino Carracci. He was born either c. 1583 (Baglione) or in 1589 (Bellori). His mother was a Venetian courtesan named Isabella. After his father's death, he joined the Roman household of his uncle Annibale Carracci. While Antonio may have collaborated with other studio assistants on the wall frescoes (1603-4) of the Galleria Farnese and the decoration (1606; commissioned from Francesco Albani) of some rooms in the Palazzo Mattei di Giove, Rome, his earliest undisputed works date from after Annibale's death in 1609. At that time, according to Monsignor G. B. Agucchi (Malvasia), Antonio returned briefly to Bologna, with the intention of joining Ludovico Carracci's studio, but the proposed collaboration came to nothing. A frescoed Vision of St Francis in the lower oratory of S Colombano was most probably painted during this Bolognese sojourn, and his Burial of Christ (Rome, Gal. Borghese) dates from c. 1609. He returned to Rome in 1610 and assisted Guido Reni in the Pauline Chapel of the Palazzo del Quirinale, where he painted Virtues and other subsidiary figures on the walls.